HOME Theatre, Manchester; Thursday 11th November, 2021

Just keep doing what you’re doing, and erm, don’t let the non-backers get you down. Keep developing it, keep doing it. Don’t be afraid to ask. Say yes to every venue. Every audience. See what happens.

In 2019, faced with a terminal diagnosis to his illness, university lecturer Tim Miles asked Ugly Bucket Theatre to make a ten-minute performance piece for his own memorial service.

HOME Theatre, Manchester; Wednesday 3rd November, 2021

“…. but in this world nothing can be said to be certain, except death and taxes.”

Benjamin Franklin, 1789.

And just imagine if both of those certainties came together in one, indescribably grim experience? 

The Royal Exchange Theatre, Manchester; Thursday 30th September, 2021

Memphis, Tennessee; the night of 3 April, 1968. Outside, the spring air trembles to the rumbling of distant thunder, the sky fizzes with piercing flashes of lightning.

Inside, specifically in room 306 of the Lorraine Motel, Martin Luther King (Adetomiwa Edun) is agonising over his newest and latest speech.

“America, you are too arrogant; … America, you are going to Hell!”

A brief call to room service, a simple request for coffee. But that coffee brings with it an unexpected and intriguing development: the feisty maid who calls herself Camae (Ntombizodwa Ndlovu).

Salford Arts Theatre; Wednesday 29th September, 2021

I can feel what you are feeling and you can feel what I am feeling. That’s because I am you – and you are me.

Lines from a soppy love story? Possibly, but in this case it’s a clue, one that could potentially help to unravel the mind-boggling conundrum that is Sandy by Manchester’s Peripeteia Theatre Company.

AATMA, Manchester; Tuesday 28th September, 2021

Manchester, the 1980s. In the living room of a flat above a chip shop, Mark (Jonathan Mitchell) and Ange (Abbey Hayes) are watching Coronation Street. These two are so “Manchester in the 1980s” that they seem to be more than just viewers of Coronation Street – they look as if they might be characters straight out of it.

They’re an odd pairing. It takes a short while to figure out that they’re not just some bickering husband-and-wife-unit moaning about fresh milk and who’s going to go out and get it – they seem to be just good mates, housemates. Queer housemates.

HOME Theatre, Manchester; Wednesday 22nd September, 2021

Sunday, October 30th, 1938. 8pm in the evening. In less than one hour, what had started as a perfectly ordinary night (it always starts out as an ordinary night) ended in the kind of high drama that actual producers of high drama can only dream about.

The Greater Manchester Police Museum; Monday 20th September, 2021

“I have seen every shape and size of conniving reprobate this city has to show me.

Or have I ….?“

The Empty Space, Salford; Saturday 18th September, 2021

Craig Winstanley and Jon Ogara are the C and the M, respectively. There is no obvious explanation of why C has been divided by M in the way that it mysteriously has; no thought has been given to the havoc wreaked by use of the ‘÷’ symbol in this, the austere age of fussy File Managers and URL parsers.

The International Anthony Burgess Foundation, Manchester; Friday 17th September, 2021

He is George Massey. He is 27 years old. And here, on stage, he is slowly sinking further and further into a catastrophic crisis that will surely consume him completely.

The King’s Arms, Salford; Sunday 12th September, 2021

Mark (David Allen) is the boss from hell. There are two major problems with him:

1. He’s an arsehole;
2. He loves failure.

He just loves it, so much so he’s turned his personal fetish for failure into a business: some kind of publishing house, a sick-minded journal of non-fulfillment – if you have a proposal / theory / idea on what failure is and how it can be defined, and perhaps even glorified, Mark is the kind of failure-loving arsehole who would definitely want to hear from you.